Alexander Mayer
Orchestra Conductor
Events
Bühnenshow zur Spielzeiteröffnung III
Theater Vorpommern
Date
09/12/2026
Time
06:30 pm
Venue
Stralsund, Theater
Deutschland
The Shining - Wiederaufnahme
Theater Vorpommern
Date
10/23/2026
Time
07:30 pm
Venue
Stralsund, Theater
Deutschland
Dozentenkonzert der Cello Akademie Rutesheim
Württembergische Philharmonie Reutlingen
Date
10/28/2026
Time
07:00 pm
Venue
Rutesheim, Halle Bühl 2
Deutschland
Biography
Since the 21/22 season, Alexander Mayer has been Principal Conductor and Deputy General Music Director at the Theater Vorpommern. There, in addition to conducting concerts with the Vorpommern Philharmonic Orchestra, he is responsible for new productions of Gluck’s *Orfeo ed Euridice*, Mozart’s *Le Nozze di Figaro*, Rossini’s *La Cenerentola*, Offenbach’s *Orpheus in the Underworld* and *The Tales of Hoffmann*, Tchaikovsky’s *Swan Lake*, Ernst Krenek’s *Jonny spielt auf*, Astor Piazzolla’s *Maria de Buenos Aires* and Frederick Loewe’s *My Fair Lady*. He devotes particular attention to modern American opera: for instance, he conducted the German premiere of Missy Mazzoli’s *Songs from the Uproar*, as well as Paul Moravec’s *The Shining* and Lorin Maazel’s *1984*. Alongside these new productions, he has conducted revivals and performances of Tchaikovsky’s *The Nutcracker*, Verdi’s *La Traviata*, Lehár’s *The Merry Widow*, Britten’s *A Midsummer Night’s Dream* and Ralph Benatzky’s *My Sister and I*.
Before taking up his post in Vorpommern, his career took him to Switzerland, where he first served as assistant conductor at the Geneva Opera and then as music director of the Ensemble Symphonique Neuchâtel from 2010-2019. During this time, he firmly established the orchestra, which was formed from a merger in 2008, in the Swiss musical landscape, as evidenced not least by invitations to renowned concert series and regular radio broadcasts. From 2013-2017 he also led the Sinfonietta de Lausanne to much acclaimed successes as music director.
In his programmes, Alexander continually seeks to engage with other musical styles and cultures, such as electronic music, klezmer, and the world of Arabic music. In doing so, he performs with renowned soloists such as Gautier Capuçon, Tzimon Barto, Jane Birkin, Ghalia Benali and Kolsimcha, and orchestras such as the New Seoul Philharmonic Orchestra, the Orchestra del Maggio Musicale Fiorentino, the Orchestra Haydn di Bolzano e Trento, the Orchestra Filarmonica di Torino, the Orchestra Sinfonica Siciliana, the Kristiansand Symphony Orchestra and the Südwestdeutsches Kammerorchester Pforzheim. He maintains a close relationship with the Württembergische Philharmonie Reutlingen.
Alexander studied church music and orchestral conducting under Leo Krämer and Max Pommer’s tutelage at the University of Music Saar. He has participated in masterclasses with Neeme Järvi, Gennady Rozhdestvensky, Frieder Bernius and Stefan Parkman, and has assisted John Nelson and Donald Runnicles. In 2003, he won the Tokyo International Music Competition for Conducting.
In addition to his work as conductor, Alexander regularly performs as an organist, lieder accompanist and chamber musician.
Impressions
Parental leave
An artistic bang with Mozart in Stralsund











